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VLU Bailliepark • 2027 Conference

Machine Work

Stitch-and-slash method

The stitch-and-slash method builds a surface from several layers of fabric. Pattern lines are stitched through the layers, after which the upper layers are carefully cut open. The colour sequence, spacing between the stitching and direction of the cuts determine the final texture.

Complete preparation guide

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01

Competition requirements

  • Any practical, fully finished entry may be made, for example a garment, placemat or handbag.
  • The entry is judged as a whole and must be completed using correct machine-construction methods.
  • The stitch-and-slash technique must be the dominant feature.
  • The entry must be the entrant’s own work and may not be older than two years.
  • Embellishments are allowed, but may not dominate the technique.

02

Fabric and layers

Place two or more layers of textile fabric on top of one another and use a durable fabric for the background and bottom layer. Choose colours that create interesting contrast when the upper layer or layers are cut open. Prewash fabrics if there is a possibility of uneven shrinkage.

03

Technical execution

  • Stack the layers smoothly and correctly on the grain.
  • Mark the pattern lines before stitching.
  • Use a shorter stitch length to bind the layers firmly together.
  • Stitch evenly along the planned lines and secure the starting and ending points.
  • Use sharp, small scissors to cut open only the intended upper layers between the stitched lines.
  • The bottom foundation layer must never be cut.
  • Complete seams, linings, fastenings and edges with suitable construction methods.

04

Design tips

Plan the fabric sequence before stitching the layers together. Diagonal lines often produce a fuller, softer texture because more bias threads are exposed. Curves, waves and repeated geometric lines can create movement. Avoid too many different patterns or decorations that make the surface look confused.

05

Working sequence

  1. Choose the entry and draw the final pattern.
  2. Test the fabric, colour sequence, stitch length and cutting depth on a sample.
  3. Stack and stabilise the layers.
  4. Stitch all pattern lines with consistent spacing and tension.
  5. Cut open the upper layers without damaging the foundation.
  6. Brush or wash the sample if more frayed texture is desired.
  7. Complete the entry and clean all threads and edges.

06

What the judging focuses on

Appearance counts 50% and workmanship 50%. The judge considers the visual effect of the revealed colours, the rhythm of the lines, even stitching, controlled cutting, correct construction and the function of the completed entry.

07

Presentation

Place the entry in a transparent plastic bag and label it MACHINE WORK, followed by the entrant’s name, branch, region and province. Attach the judging card to the entry with crochet thread. Do not use a safety pin.

08

Final checklist

  • Completed, practical entry
  • Stitch-and-slash is the main feature
  • Two or more fabric layers placed on top of one another
  • Foundation layer not cut anywhere
  • Correct seams, fastenings and edge finishing
  • Entrant’s own work and not older than two years
  • Correctly packed and labelled

Two portrait-format examples

Machine Work

Use these original examples as inspiration for layout, colour and presentation—not as patterns to copy exactly.

Portrait-format example of a stitch-and-slash wall piece with proteas.
01Protea shapes reveal warm colour beneath darker layers.
Portrait-format example of a stitch-and-slash cushion with wave shapes.
02A wave pattern creates movement on a modern cushion.
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